Saturday, November 22, 2014
"This album represents an aspect of my compositional activity during the late '70s utilizing expanded and traditional vocal techniques. Ten years ago I decided to make my living as a performer and composer unattached to a specific institution and began traveling to do concerts and to make pieces. These can be categorized as: (1) multilayered tape works usually commissioned by and produced at radio stations (Shadow Song, composed in Ampleforth, England, and Klee Alee, written partly in Cologne, were commissioned for radio and completed in West Berlin); (2) sound installations (for art galleries and museums); (3) solo performances of music for voice with and without tape. All sounds on Reluctant Gypsy were produced by my voice; Buchla synthesizer modules were used to accomplish movement in the soundances and to modify verbal material in Autumn Signal."